'... thus the movements in Greenfield's films come from internal sources that are less deliberate than automatic; they are driven by the unconscious ...'
'Keller speaks of a group of filmmakers as manifesting a derangement of classical cinema through what she called 'a radical distortion of values and perception often associated with insanity.' Reprocessing imagery from Hollywood, home movies, educational films, and instructonal films, seeing old forms as if through an anamorphic lens.' The reference to the lens is crucial here.
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