Wednesday, July 26, 2017


Amateur Versus Professional
by Maya Deren

The major obstacle for amateur film-makers is their own sense of inferiority vis-a-vis professional productions. The very classification “amateur” has an apologetic ring. But that very word - from the Latin “amateur” - “lover” means one who does something for the love of the thing rather than for economic reasons or necessity. And this is the meaning from which the amateur film-maker should take his clue. Instead of envying the script and dialogue writers, the trained actors, the elaborate staffs and sets, the enormous production budgets of the professional film, the amateur should make use of the one great advantage which all professionals envy him, namely, freedom - both artistic and physical.

Artistic freedom means that the amateur film-maker is never forced to sacrifice visual drama and beauty to a stream of words, words, words, words, to the relentless activity and explanations of a plot, or to the display of a star or a sponsor’s product; nor is the amateur production expected to return profit on a huge investment by holding the attention of a massive and motley audience for 90 minutes.

Like the amateur still-photographer, the amateur film-maker can devote himself to capturing the poetry and beauty of places and events and, since he is using a motion picture camera, he can explore the vast world of the beauty of movement. (One of the films winning Honorable Mention in the 1958 Creative Film Awards was ROUND AND SQUARE, a poetic, rhythmic treatment of the dancing lights of cars as they streamed down highways, under bridges, etc.) Instead of trying to invent a plot that moves, use the movement or wind, or water, children, people, elevators, balls, etc. as a poem might celebrate these. And use your freedom to experiment with visual ideas; your mistakes will not get you fired.

Physical freedom includes time freedom - a freedom from budget imposed deadlines. But above all, the amateur film-maker, with his small, light-weight equipment, has an inconspicuousness (for candid shooting) and a physical mobility which is well the envy of most professionals, burdened as they are by their many-ton monsters, cables and crews. Don’t forget that no tripod has yet been built which is as miraculously versatile in movement as the complex system of supports, joints, muscles, and nerves which is the human body, which, with a bit of practice, makes possible the enormous variety of camera angles and visual action. You have all this, and a brain too, in one neat, compact, mobile package. Cameras do not make films; film-makers make films.

Improve your films not by adding more equipment and personnel but by using what you have to its fullest capacity. The most important part of your equipment is yourself: your mobile body, your imaginative mind, and your freedom to use both. Make sure you do use them.

Tuesday, July 25, 2017

New Jim Henson permanent exhibit (The Muppets)



       http://www.movingimage.us/




' Things are Looking Bright, ' Bronx, NY 2017.

Monday, July 24, 2017


  'Overloaded,'  NY, NY 2017.

Saturday, July 22, 2017

Thursday, July 20, 2017

Shark Week 2017 (on-location)










Bye Carcharodon Carcharias,
   2017.

Thursday, July 13, 2017

Ownership vs Copyright rights of the deceased.

Chess using a femur move.

 
  

"You sit at the board and suddenly your heart leaps. Your hand trembles to pick up the piece and move it. But what chess teaches you is that you must sit there calmly and think about whether it's really a good idea and whether there are other, better ideas."  -Stanley Kubrick 


The Quad has re-opened its doors with new owners.


https://quadcinema.com/about/


34 W. 13th Street
New York, NY 10011


Wednesday, July 12, 2017

  'Them Old Sneakers,' Brooklyn 2017.



Monday, July 10, 2017

Great little known doc on Rutger...


    

Such a great and candid portrait of a true artist.




Saturday, July 8, 2017


   
             Lower East Side, NYC, 2017.


Friday, July 7, 2017

interiors.


                                                                                                                                                              copyright, 2017. 


   
  

Wednesday, July 5, 2017

exteriors.




                                        



Shot with 16mm reflex Bolex, Canon 60D, GoPro and Black Magic Pocket cameras. Location for 2nd unit exteriors. 50D Kodachromebye.


      


 

Tuesday, July 4, 2017


http://www.ingmarbergman.se/en/production/faro-document-1979
                                                   

Sunday, July 2, 2017

VHS is the new Super 8.