A new print of Rivette’s hard-to-see, undefinable masterpiece in a full-length run at Film Forum.; according to David Fear, “”There’s cinema, and then there’s Céline and Julie Go Boating. Jacques Rivette’s free-form dissertation on the interzone between performance and spectatorship is the ideal filmgoing experience, even as the ‘story’ transcends all long-standing rules of narrative engagement. It’s the Ulysses of moving pictures: You can feel Rivette exploring the art form’s modes of expression and then erasing their borders, one by one.”
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